Edwyn Collins ‘Nature Punk’ 26th February — 6th March 2011
Edwyn Collins is regarded as one of Britain’s great music talents. He has been honoured with an Ivor Novello Award and is cited as an influence by many of today’s most successful bands with whom he collaborates. However, Collins considers himself first and foremost to be an illustrator.
Collins’ studies of native Scottish bird life and other creatures are also a great testament to the patience and perseverance of a person living through a recovery process. His well documented double brain haemorrhage in 2005 robbed Collins of the most basic of motor skills but through six years of rehabilitation, largely through art and drawing itself, Collins has regained some, if not all, of these skills. Following on from an exhibition in 2008 of similar works this new collection displays Collins’ returning artistic talent as the eclipse of his illness diminishes.
The exhibition will show an exclusive look at the full body of work from the early simple line drawings to his most recent pieces, brimming with colour and the majesty of the birds themselves. Collins’ drawings are almost all dated and show a humbling progression. Still without the use of his right arm following his illness Collins has used the quiet contemplation of drawing to slowly retrain his body and retrieve the abilities he previously possessed. This exhibition will include many of Collins’ most intricate and technically proficient works of the last six years, many of which have not yet been seen by the public. Furthermore Collins will be creating several large scale versions of his studies especially for our show.
“Drawing is natural, relaxing, instinctive. In music, I’m always striving for something. It’s my passion, but its hard work. Drawing is also my passion, but is simpler for me. It’s a pleasure” Edwyn Collins.
The beauty of the works and the quiet energy channelled into them create a humbling and affirming impression. The brilliance of nature, in the form of the birds Collins’ has drawn and journey he has been through in order to do this are expertly captured in this exhibition.
Born in Edinburgh 1959 to parents who met at Edinburgh Art School Edwyn’s farther, Peter Collins was one of the youngest people to be created a RSC during his twenties. Peter Collins works, in particular those from his Magical Realism period hang today in The National Gallery of Scotland. Edwyn spent much of his young life surrounded by his parents many artist friends, already sketching birds as a child his works caught the attention of James MacIntosh Patrick and a trade was arrange. Young Collins gave MacIntosh Patrick a Barn Owl drawing and received a watercolour of a copse.
“When he was 19, Edwyn’s duties as an illustrator for Glasgow Parks would occasionally involve guiding school parties around nature trails. He told me that the kids, taking in his un-teacherly appearance, asked him: “Sir, are you a punk?”, “Yes, children. I’m Nature Punk!” Grace Maxwell, Edwyn Collins’ Wife, Manager and author of “Falling & Laughing: The Restoration of Edwyn Collins”
The call of rock ‘n’ roll would pull Collins away from illustration in the eighties, he and friend Alan Horne formed their own record label, Postcard Records of Scotland. Collins still utilised his artistic skills designing record sleeves, posters and other promotional materials for his releases. Collins’ band, Orange Juice, enjoyed a number eight hit single with “Rip It Up” in 1985, although the band soon disbanded Collins continued with a solo career. His track “A Girl Like You” was a success on both sides of the Atlantic in 1994 and in the same year Collins built his own
recording studio.
Collins’ seventh album “Losing Sleep”, the first to be recorded since his illness was released by Heavenly Records in September 2010 receiving rave reviews. An impressive cast of successful and critically acclaimed contemporary musicians collaborated with Collins for this album including The Cribs’ Ryan Jarman and Johnny Marr, Franz Ferdinand’s Alex Kapranos and Nicky McCarthy, The Magic Numbers’ Romeo Stodart and The Drums. Collins embarks on a European tour in February 2011 before heading to both the USA and Japan in March.
For more on Edwyn, his music and artwork visit www.edwyncollins.com
To be added to the guestlist for the private view on March 3rd email galleryassistant@ideageneration.co.uk
Edwyn Collins ‘Nature Punk’
26th February — 6th March 2011
Private View Thursday 3rd March
Idea Generation Gallery
11 Chance Street, Bethnal Green, E2 7JB
Tel: 020 7749 6850
www.ideageneration.co.uk
Opening Hours
Monday to Friday: 10 — 6pm
Saturday & Sunday: 12 — 5pm
Admission Free
LCMDF — Future Me (MODE remix) free download
Something for the weekend, hope you enjoy! x
HVN214
LCMDF — Future Me (MODE remix)
HVN214 LCMDF / Future Me (MODE Remix) by heavenlyrecordings
Sean Rowley’s ‘Joy of Music’ show inc. the Smoke Fairies ‘All Back to Mine’ playlist
Listen again to this week’s show on the BBC iPlayer link below.
http://www.bbc.co.uk/programmes/p00dcyzq

Another great show this week with some new Memory Band tracks (album launch this week, 8th Feb @ The Slaughtered Lamb), new Fleet Foxes (free download), Smoke Fairies ‘All Back To Mine’ playlist, Doug Paisley (yep!), Sand Band (yep yep!) & some Colorama for good measure ( we love that new record!)
Special guests The Smoke Fairies who having just finished their uk tour with Sea of Bees supporting, provide this week’s ‘All Back To Mine’ mix (check track listing below).
Don’t forget to join his facebook page for more music updates.
http://www.facebook.com/profile.php?id=580317626
And we also love Sean’s ‘Cover To Cover’ which continues it’s adventures in the world of cover versions here
http://www.thisiscovertocover.com/
PLAYLIST
Splendor In The Grass — Jackie DeShannon
Helplessness Blues — Fleet Foxes — CLICK FOR FREE DOWNLOAD
Reach Out I’ll Be There — Lee Moses
Day Tripper — Lee Moses
Pan Ddaw’r Nos (When The Night Comes) — Colorama
Dig A Little Deeper — Peter, Bjorn and John
I’m So Happy Now– Willie Wright
Trinkets & Rings — Michael Chapman
Crow — The Memory Band
Demon Days –The Memory Band
Set Me Free –The Sand Band
Watching The Trains Go By –Tony Joe White
Denver — Ronnie Milsap
I’m living Good — The Ovations
Sweet inspiration — The Sweet Inspirations
Track 02 — John Stammers
O My Soul — Daniel Martin Moore
Truth — Alexander
Come Here And Love Me — Doug Paisley
Hotel Room — Smoke Fairies
Is It All Over My Face — Arthur’s Landing
ALL BACK TO MINE mix by THE SMOKE FAIRIES
Tokyo — The Books
Bartering Lines — Ryan Adams
Outlaw Song — 16 Horsepower
Mellow Trucker Lady — Duke Garwood
Iamundernodisguise — School of Seven Bells
Village Strollin’ — Wolf People
Wharf Rat — Grateful Dead
England — The National
Country Girl Medley: Whiskey Boot Hill / Down, Down, Down / Country Girl (I Think You’re Pretty) — Crosby, Stills, Nash & Young
Tangerine — Led Zeppelin
Moon and Moon — Bat for Lashes
Jim Cain — Bill Callahan
A tribute to Trish Keenan by Bob Stanley
A further tribute to Trish Keenan, who died from pneumonia complications on 14th January.
In the fifties Jo Stafford was famous for her incredible pitching and the purity of her voice. Purity and pitch aren’t words that get used too often when describing modern singers, but Trish Keenan had the purest voice of her generation. The first time I heard it, so warm and hypnotic, I was hooked. Broadcast, hands down, were my favourite group of the last fifteen years.
Like a lot of people, I’ve been thinking about Trish for most of the weekend. I’ve been thinking about her beautiful voice, and how incredibly generous she was with her time and her knowledge.
Anybody who heard Broadcast and thought of Trish as an ice maiden, or aloof, wasn’t really paying attention. On stage she was often lost in concentration under her mane of hair, but I remember her giving a right mouthful to some leery lads giving her shit when they played at the Garage. Another time at Koko, she quietly mumbled “umm, it’s my birthday today” between songs – everyone spontaneously sang “Happy birthday, dear Trish” and she grinned her face off.
I met Trish when me and Pete Wiggs were trying to sign Broadcast to a shortlived EMI label in 1995, and we went to see them play in Birmingham for the first time. They let us stay over, we went to the their favourite balti house, and the next day we went second hand record shopping. It seemed like there was a whole spooked electronica scene (Broadcast, Pram, Plone, Novak) based around a video shop in Moseley; at least one member of each group seemed to work there. We drank a lot of tea and listened to lots of records.
Trish and James put me onto so much over the years, sending me mini discs (possibly the only other people in Britain still using them) of Carl Orff, Basil Kirchin’s Abstractions Of The Industrial North, stuff I knew nothing about which blew my mind. Talking to Trish about Delia Derbyshire, she’d point out that Daphne Oram was the *really* important woman at the Radiophonic Workshop and stick on an early 60s EP of Oram’s music for primary school children to prove it. After sharing a love of the Czech folk fairy tale film Valerie And Her Week Of Wonders, out of the blue Trish sent me a video of Milos Forman’s Loves Of A Blonde. I don’t remember swapping being an issue, it was all one way; she was just very kind.
As attuned to pop and melody as she was to experimentalism, Trish wrote some beautiful lyrics: Come On Let’s Go is a declaration of romantic independence (“what’s the point in wasting time on people that we’ll never know?”); Tears In The Typing Pool is a small town, small romance break up song of terrible sadness (“The letters are sighing, the ink is still drying/I told you the truth and now I sigh too”); Before We Begin an inspiring manifesto of winking hope (“So here we are again, back to the beginning/So the salt will spill again, throw it over your shoulder”).
Trish and James were an amazing couple; working and living together, Broadcast was their lives and, shamefully, they seemed permanently hard-up. America understood them better and they played shows there that, relatively, were three or four times as big as ones they played in Britain. Marc Jacobs certainly loved Broadcast and provided Trish with a wardrobe of fineries – she might have had beans on toast for tea, but she was the best dressed girl in Birmingham.
It goes without saying that Trish’s passing is a terrible loss for music. She was also a truly beautiful person, one of the most open and friendly people I’ve ever met. It is heartbreaking. My thoughts are with James, Broadcast’s manager Martin, and Trish’s family.
Re-posted from www.caughtbytheriver.net
Richard King also remembers Trish on www.caughtbytheriver
Bob Stanley is a writer and a founder member of Saint Etienne.
HVN JBX 1st BRTHDY PRTY with JUSTIN ROBERTSON & WILD GEESE
Come join us in celebrating our first year of parties under the green in Shepherd’s Bush with our very special guest DJs:
JUSTIN ROBERTSON
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WILD GEESE
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residents
HEAVENLY JUKEBOX
It’s only £5 all night if you email us your names for our guest list — carl@heavenlyrecordings.com
& you can download here a cracking WILD GEESE mixtape entitled:
’Lambeth Contemporary Dance Workshop’
Carl, Danny and Jeff
GINGLIK
1 SHEPHERD’S BUSH GREENnext to the central line tube
JUSTIN ROBERTSON
Justin began as a DJ in Manchester and his early 90s clubs — Spice and Most Excellent — were hugely influential and cornerstones of the burgeoning dance movement. The Chemical Brothers, then students in the city, cited him as their mentor. His Rebellious Jukebox club — also in Manchester — pre-empted the Heavenly Social and the mid 90s trend for mishmashing musical styles. In the 90s Justin generally operated under various nom de stages, the most renowned being Lion_rock with whom he scored several Top 40s hits.
Justin is still working successfully in areas as diverse as techno, house, dancehall and art pop, as well as remixing the likes of The Whip, Bjork and Felix Da Housecat, compiling and mixing Harmless records brilliant Art of Acid compilation and still manages to fit in DJing all over the world.
WILD GEESE
Wild Geese are Frank Tope (Basement Jaxx’s Rooty resident) and Dan Foat (R+S Records). They play jackin house, disco, techno, rnb and other party business and are remixers to the stars.
HEAVENLY JUKEBOXest. 1990
Born out of the Heavenly Recordings label 20 years ago, the Heavenly Jukebox allowed a group of different DJs to mix and match musical styles in the same night; a broad selection of tunes – crucial, essential, pop music from the dusty analogue sweet soul sounds to the digital hits of today & tomorrow. If it get’s stamped by the bird then it needs to be heard! The capers continues . .
Full members free / P.A.Y.G. members & guests £5 before 10pm, £8 after / 7pm – 3am
“What’s this? A super spangly dynamite disco brimming with rock ‘n’ roll, psychedelic soul, disco, hip hop, reggae, house and techno in west London? Trust that tip top collective The Heavenly Jukebox, whose DJs boast the most bulging record sacks this side of Notting Hill. – don’t miss!” Time Out
Sean Rowley’s ‘Cover to Cover’ covers of the year …

Keep an ear to the ground for Sean Rowley’s sporadic ‘Cover to Cover’ parties — the cheeky little brother to his triple scooped ice cream sundaes of pop indulgence that are his Guilty Pleasure nights which go off monthly in London, Manchester & Brighton & began life many years ago in the hallowed yet humble basement of The Social on Little Portland St. ; )
Sean also hosts a superb weekly radio show called ‘The Joy of Music’ on BBC radio Kent where unhindered by the shackle of a playlist he gets to play whatever he feels like sharing with his audience that week — uncovered, undiscovered, covered & loved music which does that thing that the best music does best …
To sign up to the weekly mailing list with full tracklisting & a ‘listen again’ link email TheJoyofMusic@bbc.co.uk. You can listen again to Sean’s show from this week, his ‘Cover to Cover Special’ here. Great to see that Cherry Ghost’s cover of Finally is on there!
Need You Tonight (INXS cover) — Beck’s Record Club (Liars, St. Vincent & Os Mutantes)
Let’s Dance (David Bowie cover) — M. Ward
Ashes to Ashes (Bowie) — Warpaint
Cry (Godley & Creme) — Gayngs
Private Eyes (Hall & Oates) — The Bird And The Bee
Will you still love me tomorrow (The Shirelles) — Lykke Li
I Only Have Eyes For You (The Flamingos) — Summer Camp
Where Love Lives (alison limric) — Balearic Folk Orchestra
Finally (Ce Ce Pendeston) — Cherry Ghost
’Till I Die (The Beach Boys) — Lightspeed Champion
Wouldn’t It Be Nice (Beach Boys Cover) — Oldham Brothers
God Only Knows (The Beach Boys Cover) — Dale Earnhardt Jr.
Something Stupid (Frank & Nancy Sinatra) — The Secret Sisters
Gonna Get Along Without You Now — She & Him
All Together Now (The Beatles Cover) — Andre 3000
RAM ON (PAUL MCCARTNEY COVER) — the morning benders
The Needle and the Damage Done (Neil Young) — Laura Marling
I Can’t Tell You Why (Eagles Cover) — Chromeo
Military Madness (Graham nash) — Port O’Brien
Better Days (Graham Nash) — Brendan Benson
Bruised Orange (John Prine) — Justin Vernon of Bon Iver
Mexican Home (John Prine) — Josh Ritter
Lilac Wine (Elkie Brooks) — The Cinematic Orchestra
Dreams (Fleetwood Mac Cover) — The Morning Benders
Clampdown (The Clash cover) –The National
Ooh La La (Faces Cover) — ARMS
I Saw The Light (Todd Rundgren Cover) — Miniature Tigers
You Are My Sunshine (Jimmie Davis Cover) — Caitlin Rose
How Sweet It Is To Be Loved By You (Marvin Gaye) –Paul Weller
Crystalised (The XX Cover) 2:49 Gorillaz Hip-Hop 6 09/12/2010 10:16
Sean Rowley
The Joy of Music
BBC Radio Kent
A night with Andrew Weatherall (11/12/10) …

That’s right a whole 8 hours, an education not to be missed with Andrew Weatherall at the controls …
Read the 1st part of Will (Ransom Note’s) interview with Mr Weatherall and his exclusive 8 track selection here.
Check his recent 6music ‘the music that made primal scream’ on the excellent Test Pressing for a full download of said beauty!

Over the course of his long and storied career as a producer, DJ, musician, label boss and fanzine writer, Andrew Weatherall has always made it a point to do things “his way,” maintaining his idealism and principles as well as his extremely wide-ranging tastes. Both a gentleman and a scholar, we reach the end of the year on a high as we settle in for A Night With…Andrew Weatherall.
To say that Andrew Weatherall has had a diverse career is a bit of an understatement. He started back in the late 80s DJing the backroom at Shoom in South London, credited as the birth-place of Britain’s acid house scene. He was also instrumental in setting up seminal record label/magazine/club night Boy’s Own and was an integral part of electronic trio Sabres of Paradise (who gave us the balearic classic ‘Smokebelch’) and the associated record label Sabresonic; formed post-punk electro duo Two Lone Swordsmen (with Keith Tenniswood, aka Radioactive Man) and later set up the much loved, Rotter’s Golf Club label. A former punk, Weatherall is famed for his dark, dubby take on electronica and occasional forays into rockabilly.
However it is perhaps his production work that brought him to the attention of music aficionados beyond the late night dancefloors. Although he has produced the likes of Beth Orton, Björk, New Order, My Bloody Valentine and more recently Fuck Buttons, it will always be his production work on Primal Scream’s seminal Screamadelica that will ensure his exalted position in Scotland’s affections, coating the Glasgow rockers with a house/dub/ambient groove that brought the club and rock worlds into alignment. Despite his long and varied time immersed in the music industry, it wasn’t until 2009 that Weatherall released his first material under his own name with A Pox on The Pioneers, which was greatly received throughout the industry and by longstanding admirers.
Weatherall is still in high demand as a techno DJ of repute and, as an engaging raconteur with a huge record collection, which we’ll be graced with all night long.

























