🌹 The lead single from Unloved’s ‘THE PINK ALBUM’ have been given the remix treatment & physical pre-orders of the album are now live! 🌹

Horse Meat Disco’s rework of ‘Mother’s been a bad girl’ shifts the track through the decades, installing a giant glitter ball in the studio before setting about changing the musical backdrop from psychedelic-drone-glam to wide eyed, bass driven hypno-disco.

The second mix comes from Derry-born DJ/producer Or:la who slows things down and takes the track off into chasmic electronic dub territory reminiscent of the mighty Sabres of Paradise.

Listen to “Mother’s been a bad girl” (Horse Meat Disco Remix)

Listen to ‘Mother’s been a bad girl’ (Or:la Remix)


‘THE PINK ALBUM’ now available to pre-order on double vinyl and CD. Released on September 2nd.


Unloved’s latest release, THE PINK ALBUM, is dawn and dusk, the epic and the intimate. This 22-track double album, its title inspired by the artwork of Julian House, features collaborations with Jarvis Cocker, Étienne Daho, Raven Violet and Jon Spencer. Pink has it modulations: shocking at times but signifying also tenderness, intimacy, the carnal. THE PINK ALBUM knows the shades of love, its nuances, and how it can be delicious – and frightening. Marvellous – and aching. Rather than be the silver lining to the cloud, THE PINK ALBUM mines deeper, to a precious ore, dark and glittering…

…Be seduced by the whispered, languorous, bluesy, not so sweet nothings of Love Experiment and the lippy insouciance of Turn of the screw. Thrill to the infinite variety: Mother’s been a bad girl is brazen, and I don’t like you anymore gloriously sultry. Here is Foolin’, where languid, world-weary jazz sounds are skewed by a phantasmagoric organ from a funfair hallucinated, and there’s the sparkling fury and celestial chorus of Rainbrose, as though some flower-festooned goddess is emerging. Go from the jaunty keyboards and hey! hey! hey! of WTC to the melancholic poise of Ever, the jittery electropop of Girl can’t help it, to the spacious Morricone-tinged Lucky. Be reminded that the past is a snare, the future doesn’t care. All we have is Now. There is psychedelic world-warping sound, but also times when reality is acutely, achingly, present. Number in my phone is a beautiful, wistful paean to those no longer here. Jade’s remarkable voice – whispering, icy, lush, wounded, smoky – unifies the album with its striking diversity.